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Born
1972, in Pennsylvania, USA,. Lives and works in Adelaide, SA.
Education
1989 Drawing studies, North
Adelaide School of Art, Adelaide, Australia
1994 Bachelor of Arts Degree (Visual Arts), South Australian School of
Art, University of South Australia
1995 Language studies in Chinese (Mandarin), University of Adelaide,
Australia
1996 Post-Graduate Diploma in Management (Arts), University of South
Australia
1998 Photographic studies, International Centre of Photography, New
York, USA
2000 MA Fine Art Degree, Chelsea School of Art, The London Institute, UK
2001 Part-time lecturer in Photography, South Australian School of Art,
University of South Australia
Solo
Exhibitions
2007 Deborah Paauwe:
recent work, Maitland Regional Art Gallery, New South Wales
2006 The Crying Room, Greenaway Art Gallery, Adelaide, Australia
The Crying Room, Sutton Gallery,
Melbourne, Australia
Deborah Paauwe:
photographic works, Australia: Art & About, Art Statements
Gallery,
Hong Kong
2005 Magic Window, Sherman Galleries, Sydney, Australia
Magic Window and
selected works, Monash Gallery of Art, VIC, Australia
Dark Fables and Small
Hours, The Church Gallery, Perth, Australia
2004 Chinese Whispers, Small Hours and Dark Fables,
Greenaway Art Gallery, Adelaide
Chinese Whispers and
Small Hours, Sutton Gallery, Melbourne, Australia
2003 Deborah Paauwe: photographic works, Bartley Nees Gallery,
Wellington, New Zealand
Beautiful Games,
Centre for Contemporary Photography, Melbourne, Australia
Once in a lullaby,
Samstag Program’s Disclosures series of
one-day artist projects, Elder
Park Rotunda, Adelaide, South
Australia
2002 Deborah Paauwe: photographic works, Fundacion Pi y Margall,
Madrid, Spain
Double Dutch,
Greenaway Art Gallery, Adelaide, Australia
Deborah Paauwe: photographic works,
Gallery Luis Adelantado, Valencia, Spain
Tuesday’s Child,
Gallery 4A, Asia-Australia Arts Centre, Sydney, Australia
Rainbow Days,
Mori Gallery, Sydney, Australia
Gossamer Curtain,
Sutton Gallery, Melbourne, Australia
2001 Tuesday’s Child, Sutton Gallery, Melbourne, Australia
Sugar Nights,
John Curtin Gallery, Perth, Australia
Violet Window,
Greenaway Art Gallery, Adelaide, Australia
Art Lifts: Lifting Art,
lift installations, National Gallery of Australia, Canberra, Australia
2000 Sugar Nights, Greenaway Art Gallery, Adelaide, Australia
1998 Blue Room, Greenaway Art Gallery, Adelaide, Australia
1996 Pillow Talk, Greenaway Art Gallery, Adelaide, Australia
1994 Nu-ren, Greenaway Art Gallery, Adelaide, Australia
Selected Group
Exhibitions since 1993
2006 Light Sensitive:
Contemporary Australian Photography from the Loti Smorgon Fund,
The Ian Potter Centre: NGV
Australia at Federation Square, Melbourne, Australia
Dutch Under,
Canvas International Art, Amstelveen, Netherlands
Crash (and other earthly pleasures),
2006 Perth International Arts Festival, Lawrence
Wilson Art Gallery, The
University of Western Australia
Back to Back, AWI Exhibition, Museum of
Contemporary Art, Sydney, Australia
Changeling, Australian Centre for
Photography touring exhibition, Hobart City Council
Carnegie Gallery, TAS and
Latrobe Regional Gallery, VIC, Australia
Ex[posed], photographic images of the body,
La Trobe University Moat Festival, La
Trobe University Art
Museum, VIC, Australia
2005 The Children’s Hour, Museum of New Art (MONA), Michigan, USA
Australia: Art and About, Art
Statements Gallery, Hong Kong
Kindle & Swag: The Samstag Effect,
Queensland University of Technology Art Museum
Untold Stories,
Warrnambool Art Gallery, VIC, Australia
Citigroup Private Bank 2005 Australian Photographic Portrait Prize,
Art Gallery of
New South Wales, Australia
(received high commendation)
Recent Acquisitions: Photographs from the MGA Collection,
Monash Gallery of Art,
VIC, Australia
2004 Surface Tension, Australian Centre for Photography, Sydney,
Australia
2004 Adelaide Biennial of Australian Art, Art Gallery of South
Australia, Adelaide, Australia
Universal Playground,
2004 Adelaide Festival of Arts, Adelaide, South Australia
Photographica Australis, 2004 Asian Art
Biennale, Dhaka, Bangladesh & Fine Art
Museum, Taipei, Taiwan
Kindle & Swag: The Samstag Effect,
University of South Australia Art Museum, Adelaide
Changeling, Australian Centre for
Photography, Sydney, Australia
Penumbra, images of darkness and light,
McClelland Gallery, VIC, Australia
Revealing secret treasures, women
artists from the Reg and Sally Richardson Collection,
Mosman Art Gallery, Sydney, Australia
2003 Naarden Foto Festival, Netherlands
Hermanns Art Award, Christine Abrahams
Gallery, Melbourne and touring Australia
Second Sight, Brisbane City Gallery,
Brisbane City Hall, Brisbane, Australia
ACT
XII: new works on paper, Victorian Arts
Centre, George Adams Gallery, Melbourne
and touring Australia
Recent works from 2002, Riddoch Art
Gallery, Mt Gambier, South Australia
Watch This Space,
Alice Springs, NT, Australia
Photographica Australis, touring to
major galleries and museums throughout Asia
Fotonoviembre 2003, photographic
biennial, Centro de FotografÌa, Tenerife, Canary
Islands, Spain
2002 Photographica Australis, Sala de Exposiciones del Canal de
Isabel II, Madrid, Spain
32nd Alice Prize, The
Araluen Centre for Arts & Entertainment, Alice Springs, (winner)
Hermes Photography Project, 476 Pitt
Street, Sydney, Australia
2001 The Syntax of Style, Australian Centre for Photography,
Sydney, Australia
Telling Tales: The Child in Contemporary Photography,
touring Australia
Shoot!, Australian Photography from the
Corrigan Collection, Gold Coast City Art Gallery,
Queensland, Australia
SALA Week ‘01
Exhibition, Art Gallery of South Australia, Adelaide, Australia
Fotonoviembre 2001,
photographic biennial, Centro de FotografÌa, Tenerife, Canary
Islands, Spain
2000 MA Fine Art Exhibition, Chelsea College of Art & Design, The
London Institute, London,
UK
Dust Up Two Down,
collaborative exhibition, The House Gallery, Chelsea, London, UK
Telling Tales: The
Child in Contemporary Photography, Monash University, VIC and
touring Australia
Young New Artists, Gallery Luis
Adelantado, Valencia, Spain
Chemistry, Art in South Australia 1990-2000,
Art Gallery of South Australia, Adelaide
Defiling the
Object, Gabriel Gallery, VIC, Australia; The Substation Gallery,
Singapore
1999 MoÎt & Chandon Touring Exhibition, AGSA, AGNSW, NGA, RMIT
Gallery, Australia
ARCO ’99, International Art Fair,
Madrid, Spain (Greenaway Art Gallery Stand)
The Measured Room, Centre for
Contemporary Photography, Melbourne, Australia
SALA Week ‘99 Exhibition, Art Gallery
of South Australia, Adelaide, Australia
We are Australian, Melbourne
International Festival of the Arts Exhibition, George Adams
Gallery, Victorian Arts Centre,
Australia
…and all things nice; These Anxious Moments… These Anxious Times,
Nexus
Multicultural Arts Centre,
Adelaide, Australia
Brainstorm, Curating Space, Goldsmiths
College, New Cross, London, UK
1998 ACAF 6, Australian Contemporary Art Fair, Royal Exhibition
Building, Melbourne, Australia
Defiling the Object, Nexus
Multicultural Arts Centre, Adelaide, Australia
Emerging Artists Exhibition, Adelaide
University, Australia
EVA ’98, Emerging Visual Arts
Exhibition, Pulteney Grammar School, Adelaide, Australia
The 1998 Alice Prize, The Araluen
Centre for Arts & Entertainment, Alice Springs
1997 The Measured Room, Contemporary Art Centre of South
Australia, Adelaide, Australia
AGFA National Photographic Award
Exhibition, Albury Regional Art Centre, New South
Wales, Australia
The Hutchins School Art Prize
Exhibition, The Long Gallery, Tasmania, Australia
EVA ‘97, Emerging
Visual Arts Exhibition, Pulteney Grammar School, Adelaide, Australia
1996 Hearsay: new photo artists, Australian Centre for
Photography, Sydney, Australia
1995 Recent Acquisitions, MoÎt & Chandon Art Acquisitions Fund
Exhibition, Art Gallery of
Western Australia, Australia
1994 femme, North Adelaide School of Art Gallery, Adelaide,
Australia
Safe Text, Bachelor of Arts (Visual
Arts) Graduate Exhibition, University of South Australia
Aeon, Photographic Exhibition, Delarosa
Gallery, Adelaide, Australia
Selected Bibliography
Adlington, Brett,
"Shoot!", Shoot!: Australian Photography from the Corrigan
Collection, catalogue essay, Gold Coast City Art Gallery, 2001
AMDPress,
“El vÌdeo y la fotografÌa, protagonistas de las
nuevas muestras de la Luis Adelantado”, Art News Digital, Spain,
June 2002, no.520
Archdall, Susan,
“Around the Galleries”, The Advertiser, 27 November 2000, p.84
Archdall, Susan,
“Young Artists Sparkle”, The Advertiser, 29 January 1999, p.56
Archdall, Susan,
“Expanding their ART”, The Advertiser, 21 November 1998, p.12
Backhouse, Megan,
“Art through the camera lens”, The Age, 21 August 2004, Review Art, p.7
Bagnall, Diana,
“Hidden obsession”, The Bulletin, 3
September 2002, p.80-81
Barrag·n, Paco,
“The Art to Come”, Subastas Siglo XXI, Madrid, Spain, February
2002, p.222-223
Bilske, Maria,
"Sugar Nights", Sugar Nights review, Photofile, no.62,
April 2001, p.55
Boyd, Chris,
“Focus sharpens on lens flair”, The Weekend Australian Financial
Review, 27-28 September 2003, p.36
Broker, David,
“Second Sight”, review of Second Sight exhibition, Photofile,
no.69, August 2003, p.75-77
Brown, Scott,
“Give Me Something to Believe In!”, MoÎt & Chandon Touring
Exhibition, catalogue essay, 1999
Chapman, Chris,
“Deborah Paauwe+Clinton Garofano+Juliet
Fowler-Smith”, review of Tuesday’s Child exhibition
at Gallery 4A, Broadsheet, December 2002, January &
February 2003, vol.31, no.4, p.25
Colahan, Brenda,
“Alasdair Foster interviewed by Brenda Colahan”, The Australian Art
Market Report, issue?, 2003, p.30-31
Colless, Edward,
“Deborah Paauwe”, Australian Art Collector, Issue 27 (50 most
collectable artists issue), January-March 2004, p.95
Cooke, Richard,
“Deborah Paauwe: sugar and spite”, Panorama, Ansett magazine,
August 2001, p.45-50
Crimmings, Emma & French, Blair,
“Look-Hear-Say”, Hearsay: new photo artists, catalogue essay,
Australian Centre for Photography, 1996-1997
Currie, Bridget,
“kindle and swag: the samstag effect”, exhibition review, Eyeline,
#56 Summer 2004/05, p.46
Cusworth, Fran,
“Sole concerns”, review of Hermann’s Art Award, Herald Sun,
21 April 2003
Diorama 216,
“Photographica Australis”, review of exhibition at Canal de Isabel II,
March 2002
Dutkiewicz, Adam,
“Youthful Approach to Season”, The Advertiser, 7 December 1999,
p.33
Dutkiewicz, Adam,
“Implications for the Future”, The Advertiser, 22 July 1998,
p.102
Dutkiewicz, Adam,
“Paintings go by the Book”, The Advertiser, 20 February 1998,
p.54
Finnane, Kieran,
“Seduction veils complex questions”, Alice Springs News, vol.10,
issue 12, 23 April 2003, p.8
Finnane, Kieran,
“32nd Alice Springs Prize: art judge and public are still on a different
wavelength”, Alice Springs News, vol.9, issue 41, 13 November
2002
Finnane, Kieran,
“Alize Prize: tough decisions”, Alice Springs News, vol.9, issue
40, 6 November 2002, p.6&11
Fish, Peter,
“Still life”, The Age, 1 October 2003, p.12 Money
FlÛrez, Fernando Castro,
“Belleza melancÛlica”, ABC Cultural Madrid, review of solo
exhibition at FundaciÛn Pi y Margall, 9 February 2002, #524, p.28-29
Foster, Alasdair,
“Dark Fables”, 2004 Adelaide Biennial of Australian Art,
catalogue essay, Art Gallery of South Australia, February-May 2004
Foster, Alasdair,
Interview: “Deborah Paauwe in conversation with Alasdair Foster”,
Photofile, no.70, Summer 2004, p.16-19
Foster, Alasdair,
“Biodiversity”, Photographica Australis, catalogue essay (1 of
3), Sala de Exposiciones del Canal de Isabel II, February-April 2002
French, Blair,
“Adelaide Biennial of Australian Art: An Opportunity Lost”,
Broadsheet, 2004, vol.33, no.2
French, Blair,
“What makes today’s photo-art so attractive, so appealing…,”
Broadsheet, 12/2003 – 2/2004, vol.32, no.4, p.12-13
French, Blair & Crimmings, Emma,
“Look-Hear-Say”, Hearsay: new photo artists, catalogue essay,
Australian Centre for Photography, 1996-1997
Fuller, Helen,
“The Measured Room”, Artlink, vol.18, no.1, p.69-70
Genocchio, Benjamin,
“In Camera with Deborah Paauwe”, The Weekend Australian, 2-3
February, 2002, p.6
Giles,
Matt, “Something in the Shadows”, The Program, website
initiative of the Australia Council’s Audience and Market Development
Division, WA, February 2005
Greenstein, M.A.,
“Arte o baÒo de sol”, Lapiz, Spain,
179/180, p.177
Greenstein, M.A.,
“Back to the Future-From Wry to Rave”, Anne & Gordon Samstag
International Visual Arts Scholarship, catalogue essay, 1999
Hall, K.P.,
"Teenage Riot", Artlink, vol.21, no.2,
2001, p.42-47
Handran, Chris,
“Second Sight”, Second Sight, catalogue essay, Brisbane City
Gallery, Brisbane City Hall, Brisbane, March-May 2003
Harding, Lesley,
“Twelve acts in time: staging art on paper”, ACT XII: new works on
paper, catalogue essay, Victorian Arts Centre, George Adams Gallery,
Melbourne and touring, 2003, p.1-7
Hawker, Philippa,
“Baby, look at you now”, review of Telling Tales: the child in
contemporary photography exhibition, The Age, 20 November
2000, p.6
Hill, Peter
“Sticks and bones”, review of Changeling exhibition, The
Sydney Morning Herald, 11 December, 2004, p.8-9 Arts
Hill, Peter,
“Know it, then show it”, review of Surface Tension exhibition,
The Sydney Morning Herald, 21-22 February, 2004, p.8-9 Spectrum
Hill, Peter,
“Focus on the big picture”, The Sydney Morning Herald, 24-25 May,
2003, p.12 Spectrum
Hjorth, Larissa,
“To Present, Re-Present, Not Present (To A(d)dress,
Re-Address, Un-Dress)”, nu-ren (woman), catalogue essay,
Greenaway Art Gallery, 1994
Hunter, Chelsea,
"Nectar Of Youth", Sugar Nights review,
Xpress Magazine (Perth), May 2001, p.19
Hynes, Victoria,
“Dress code”, The Sydney Morning Herald, 10-16 August 2001, p.26 Metro
James, Bruce,
“Message in a Bottle”, The Sydney Morning Herald, 15 May 1999,
p.12s
JimÈnez, Javier MartÌn,
“Deborah Paauwe”, review of solo exhibition at FundaciÛn Pi y Margall,
Lapiz, Spain, 179/180, p.177
Jones, Alison,
“Photography review of Deborah Paauwe and Anne Noble at Bartley Nees”,
Captial Times (New Zealand), February 2003
Kenneally, Cath,
“Travelling Hopefully — The Samstag Phenomenon”, Art Monthly, May
1999, no.119, p.14-15
Kelly, Sean,
"Photo Gaga", City of Hobart Art Prize review,
Broadsheet, June, July & August 2001, vol.30, no.2, p.17
Kiely, Annemarie,
“Generation Next”, Belle, April/May 2002, p.34&36
Kimber, Mark,
“Picture This”, Picture This, catalogue essay, South Australian
Touring Exhibitions Program, 1999-2000
Leahy, Joanna,
“Deborah Paauwe”, ACT XII: new works on paper, catalogue (artist
profile), Victorian Arts Centre, George Adams Gallery, Melbourne and
touring, 2003, p.26-27
Limelight magazine (ABC),
Australia’s monthly arts & entertainment magazine, interview with
Deborah Paauwe, August 2004, p.120
Lloyd, Tim,
“Rising star sheds light on imagery”, The Advertiser, 30 July
2004, p.13
Lloyd, Tim,
“Artful Ways to Foster Talent”, The Advertiser, 6 November 1999,
p.72-73
Marsh, Anne,
“The Darkroom: photography and the theatre of desire”, Macmillan Art
Publishing, Australia, 2003, p.252-254, 258
Marsh, Anne,
"Through a veil brightly: recent works by Deborah Paauwe", Double
Dutch, catalogue essay, Greenaway Art Gallery, April 2002
Marsh, Anne,
“Light Writing Desire and Other Fantasies”, Telling Tales: The Child
in Contemporary Photography, catalogue essay, Monash University
Gallery Touring Exhibition, 2000 & Eyeline, no.46, Spring 2001,
p.32-37
McCulloch, Susan,
“Belief systems”, review of 2004 Adelaide Biennial of Australian Art,
The Weekend Australian, 27-28 March, 2004, Review, p.18-19
McCulloch, Susan,
“Out of the darkroom”, The Weekend Australian, 17-18 May, 2003,
Review, p.19
McDonald, Patrick,
“Cover-girl who paints with a camera”, The
Advertiser, 25 December 2002, p.7
McFarlane, Robert,
"Images that stay in the memory", The Sydney Morning Herald, 8
August 2001, p.16
McFarlane, Robert,
"The Child in Photography", Artlink, vol.21, no.2, 2001, p.14-19
McLean, Sandra,
“Cool in camera”, The Courier Mail, 29 March 2003, p.1-2
McNaught, Josie,
“Artist courts controversy with erotic girl photos”, Sunday Star
Times (New Zealand), 2 February 2003, p.5
Mitchell, Samara,
Deborah Paauwe: The Crying Room, Greenaway Art Gallery exhibition
preview, Australian Art Collector, Issue 37, July-September 2006,
p.325
Moore, Margaret,
“Telling Tales: the child in contemporary photography”, review of
exhibition, Photofile, May 2002, p.57
Morrow, Christine,
"Tuesday's Child", Tuesday's Child review, eyeline, No.45,
Autumn/Winter 2001, p.41-42
Moss, James,
“Remembrance of Things Post”, The Measured Room, catalogue essay,
Centre for Contemporary Photography, 1999
Moss, James,
“Remembrance of Things Post”, The Measured Room, catalogue essay,
Contemporary Art Centre of South Australia, 1997
Nelson, Robert,
“Working with metaphor”, review of Hermanns Art Award exhibition,
The Age, 9 April 2003, A3 p.12
Nelson, Robert,
“Blurring the borders of art and taste”, review of Gossamer Curtain
exhibition at Sutton Gallery, The Age, 5 October 2002,
Arts p.29
Newall, Michael,
“Tools of Attraction”, Photofile, no.71, Winter 2004, p.48-49
Newall, Michael,
“Art in an economy of pleasure”, Broadsheet, February – May 2004,
vol.33, no.1, p.32-35
Newall, Michael,
"Girl in a Room", LIKE Art Magazine, no.14, Autumn 2001, p.20-23
Newton, Gael,
“Generations: Australian Photography since the 1970’s”, Photographica
Australis, catalogue essay (1 of 3), Sala de Exposiciones del Canal
de Isabel II, February-April 2002
Neylon, John,
“Magic Window”, catalogue essay, Sherman Galleries, 2005
Neylon, John,
“Touchy subject”, The Adelaide Review, August 2004, p.19
Neylon, John,
“Clever Tease”, The Adelaide Review, January 2001, p.29
Neylon, John,
“Studio World”, The Adelaide Review, August 1998, p.30
O’Donnell, Marcus,
“Artifice and Identity”, Sydney Star Observer, 9
August, 2001, p.1,9 Review
O’Halloran, David,
“Four Seen is Forewarned”, The Advertiser, 6 July 1994, p.20
Pallotta-Chiarolli, Maria,
“Mestiza Visions: Reflecting/Resisting/Synthesising/Transcending”,
femme, catalogue essay, North Adelaide School of Art Gallery, 1994
Palmer, Daniel,
“Deborah Paauwe”, Kindle & Swag: The Samstag Effect, exhibition
catalogue essay, published by the University of South Australia Art
Museum, 2004
Palmer, Daniel,
“Deborah Paauwe”, Australian Art Collector, Issue 23 (50 most
collectable artists, Deborah Paauwe on front cover), January-March 2003,
p.67
Palmer, Daniel,
“Habitats Fictions and Gestures: Australian Photography Now”,
Photographica Australis, catalogue essay (1 of 3), Sala de
Exposiciones del Canal de Isabel II, February-April 2002
Phillips, Karen,
“In camera”, Adelaide Matters, Issue 50, August 2004
Pow, Leigh-Ann,
"Sweet Dreams", Vogue, August 2001, p.60
Prior, Fiona,
“What are little girls made of?”, review of Magic Window
exhibition, henrythornton.com, 30/01/2005
Radok, Stephanie,
“Swansong finishes on a pristine note”, The
Adelaide Review, November 12 2004
Radok, Stephanie,
“A ream of ideas”, review of Act XII: new works on paper
exhibition, The Adelaide Review, October 2003, p.20
Radok, Stephanie,
“Sweet Joy Befall Thee”, The Adelaide Review, January 2000, p.27
Radok, Stephanie,
“Life Consists of These Little Touches of Solitude”, The Adelaide
Review, October 1999
Radok, Stephanie,
“Foto-Journeys”, The Adelaide Review, June 1999, p.36
Radok, Stephanie,
“Trick or Treat”, The Adelaide Review, November 1996, p.31
Reid, Chris,
“Two Way Mirror”, artist profile, Broadsheet, December 2000,
January & February 2001, vol.29, no.4, p.10-11
Rhodes, Kate,
“Adorned in Dreams: Deborah Paauwe’s The Crying Room”, catalogue essay,
Greenaway Art Gallery, August-September 2006
Rhodes, Kate,
“The Golden Slumbers of Deborah Paauwe”, eyeline, No.48,
Autumn/Winter 2002, p.31-33
Rhodes, Kate,
"Thoughts on Deborah Paauwe's new work", Tuesday's Child review,
FLASH, Centre for Contemporary Photography newsletter, May/June
2001, p.5-6
Robinson, Julie,
2004 Adelaide Biennial of Australian Art, catalogue essay, Art
Gallery of South Australia, February-May 2004
Safe, Georgina,
“Selling hot – and bothered”, The Australian, 9 October 2003,
p.13 Arts
Senescall, Rebecca,
“A bolt of reality or… is this show telling tales?”, review of
Telling Tales: the child in contemporary photography exhibition,
The Macarthur Advertiser, 28 March 2001
Sequeira, David,
“MoÎt & Chandon Touring Exhibition 1999”,
artonview (National Gallery of Australia magazine), Winter 1999,
no.18, p.45-46
Smith,
Nyanda, “Op-shop artifice”, The West Australian, Tuesday
February 8 2005, p.10
Speck, Catherine,
“Sugar Nights”, Art Monthly, reviews of Australian exhibitions
on-line, December 2000
Speck, Catherine,
“Chemistry: Art in South Australia 1990-2000”, Art Monthly,
reviews of Australian exhibitions on-line, 17 October 2000
Speck, Catherine,
“Peeping Below the Surface”, The Child Within, catalogue essay,
Adelaide Central Gallery, 1999
Speirs, Louise,
“Flaw Show”, Harper’s Bazaar, September 2002, p.154
Spencer, Ric,
“Puberty focus a treat”, The West Australian, Weekend Extra,
Visual Arts, Saturday March 5 2005 p.12
Strahan, Lucinda,
“Act XII: New Works on Paper”, exhibition review, The Age, 29 May
2003, p.8 A3
Tsoutas, Nicholas,
Sugar Nights, catalogue essay, Greenaway Art Gallery, 2000
Thomas, Sarah,
“A Pinhole View of the Digital Era”, The Advertiser, 30 September
1997, p.36
Walker, Linda Marie,
“Relations Between Words”, Art Monthly,
December 1997-February 1998, no.106, p.27
Walker, Wendy,
“The Samstag Legacy: the man, the program and the art”, Art Monthly,
April 2005, no. 178, p.17-18
Walker, Wendy,
Deborah Paauwe at Sherman Galleries: preview, Australian Art
Collector, Issue 31, Jan-March 2005, p.174
Walker, Wendy,
“Artists’ new works a fitting finale”, The Advertiser, 30
November 2004, p.55
Walker Wendy,
“Beautiful Games”, publication on the work of Deborah Paauwe, Wakefield
Press, Australia, 2004
Walker, Wendy,
“Political consciousness surfaces”, review of 2004 exhibition at
Greenaway Art Gallery, The Advertiser, 21 August 2004, p.97
Walker, Wendy,
“Beautiful Games”, text for exhibition at Centre for Contemporary
Photography, October-November 2003
Walker, Wendy,
Rainbow Days, catalogue essay, Mori Gallery, August-September
2002
Walker, Wendy,
“Sex, lace and glamour”, The Advertiser, 29 May 2002, p.68
Walker, Wendy,
"Cha", poem for mini-catalogue, September 2001
Walker, Wendy,
“Images of Innocence Endangered”, The Advertiser, 25 June 2001,
p.84
Walker, Wendy,
Tuesday's Child, catalogue essay and poem, Sutton Gallery, 2001
Walker, Wendy,
“Picture of Success”, The Advertiser, 13 December 2000, p.120
Walker, Wendy,
“Symbolic Elements in Arts Equation”, The Advertiser, 31 October
2000, p.50
Walker, Wendy,
“Captured By Life in Landmarks”, The Advertiser, 7 October 1999,
p.82
Ward, Karen,
“Through the Lens”, review of Telling Tales: the child in
contemporary photography exhibition, Weekender, 25 November
2000, p.10
Ward, Peter,
“Doubly potent subversion”, review of Double Dutch exhibition at
Greenaway Art Gallery, The Australian, 14 June 2002, p.19
Weston, Neville,
“Focus on childhood”, review of Telling Tales:
the child in contemporary photography exhibition, The Western
Australian, 13 October 2001
Wolfe, Ross,
“Kindle & Swag: The Samstag Effect”, exhibition catalogue essay,
published by the University of South Australia Art Museum, 2004
Woodburn, Jena, “Kindle and Swag: The
Samstag Effect”, exhibition review, Broadsheet,
March-May 2005, vol.34, no.1, p.55
Woodburn, Jena,
“Deborah Paauwe: double dutch”, review of Double Dutch exhibition
at Greenaway Art Gallery, eyeline, no.49, Spring 2002,
p.46-47
Zegan, India,
Deborah Paauwe: Beautiful Games, book review, API review of books,
Curtin University of Technology, Issue 44, July 2006
Zeplin, Pamela,
“Private Moments”, ARCO, catalogue essay,
Contemporary Art Fair, Madrid, 1999
TV interview: ABC, Australia, 2004
Adelaide Biennial of Australian Art, 7 March 2003
TV interview:
"Nightline" (Channel 3), New Zealand, February 2003
Radio interview:
with Lyn Freeman, Arts program, National Radio, New Zealand, February
2003
Collections
Adelaide University, South
Australia, Australia
Albury Regional Art Centre, New South Wales, Australia
Araluen Centre for the Arts, Northern Territory, Australia
Art Gallery of South Australia
Art Gallery of Western Australia
Artbank, New South Wales, Australia
Australia Council for the Arts, New South Wales, Australia
BHP Billiton Collection, Melbourne, Australia
Cabildo Insular de Tenerife, Spain
Canvas International Art, Netherlands
Collection of Anthony and Heather Podesta, USA
Corrigan Collection, New South Wales, Australia
Curtin University, Perth, Australia
Fundacion Pi y Margall, Madrid, Spain
Gold Coast City Art Gallery, Queensland, Australia
La Trobe University Art Collection, Victoria, Australia
Maitland Regional Art Gallery, New South Wales, Australia
McClelland Gallery, Victoria, Australia
Monash Gallery of Art, Melbourne, Australia
Murdoch University, Perth, Australia
National Gallery of Australia, Australia
National Gallery of Victoria, Australia
Reg & Sally Richardson Collection, New South Wales, Australia
Riddoch Art Gallery, South Australia
Samstag Collection, University of South Australia
St Peter’s College, South Australia
St Peter’s Collegiate Girls School, South Australia
Victorian Arts Centre, Victoria, Australia
Wilderness School, South Australia |
